{"id":688,"date":"2025-11-22T07:19:33","date_gmt":"2025-11-22T07:19:33","guid":{"rendered":"https:\/\/africahalloffame.org\/Home\/?p=688"},"modified":"2025-11-22T07:19:33","modified_gmt":"2025-11-22T07:19:33","slug":"why-moliys-shake-it-to-the-max-fly-remix-was-really-disqualified-from-the-grammys","status":"publish","type":"post","link":"https:\/\/africahalloffame.org\/Home\/why-moliys-shake-it-to-the-max-fly-remix-was-really-disqualified-from-the-grammys\/","title":{"rendered":"Why Moliy\u2019s \u2018Shake It To The Max (Fly) Remix\u2019 Was Really Disqualified From the Grammys"},"content":{"rendered":"<p data-start=\"177\" data-end=\"471\">Moliy\u2019s global hit <em data-start=\"196\" data-end=\"225\">\u201cShake It to the Max (Fly)\u201d<\/em> especially the remix featuring <strong data-start=\"259\" data-end=\"271\">Shenseea<\/strong> and <strong data-start=\"276\" data-end=\"290\">Skillibeng<\/strong>\u00a0was ruled <strong data-start=\"303\" data-end=\"317\">ineligible<\/strong> for the 2026 Grammys in both the <em data-start=\"351\" data-end=\"382\">Best Global Music Performance<\/em> and <em data-start=\"387\" data-end=\"419\">Best African Music Performance<\/em> categories.<\/p>\n<p data-start=\"473\" data-end=\"682\">The <strong data-start=\"477\" data-end=\"512\">Recording Academy\u2019s explanation<\/strong>: the version submitted was classed as a <strong data-start=\"553\" data-end=\"562\">remix<\/strong>, and under Grammy rules, remixes are <strong data-start=\"600\" data-end=\"616\">not eligible<\/strong> for those two categories.<\/p>\n<ul data-start=\"683\" data-end=\"1300\">\n<li data-start=\"683\" data-end=\"879\">\n<p data-start=\"685\" data-end=\"879\">Even though Moliy\u2019s remix included <em data-start=\"720\" data-end=\"749\">substantial new composition<\/em> new verses from the guest artists, a revised intro the Academy stuck to its rulebook.<\/p>\n<\/li>\n<li data-start=\"880\" data-end=\"1116\">\n<p data-start=\"882\" data-end=\"1116\">The label gamma. appealed, noting that nearly <strong data-start=\"928\" data-end=\"964\">50% of the remix is entirely new<\/strong>, and that disqualification based on the \u201cremix\u201d label felt like a technicality that ignored the artistic merit.<\/p>\n<\/li>\n<li data-start=\"1117\" data-end=\"1300\">\n<p data-start=\"1119\" data-end=\"1300\">According to the Academy, this wasn\u2019t a subjective rejection: it was strictly a procedural ineligibility based on how the song was submitted.<\/p>\n<\/li>\n<\/ul>\n<p data-start=\"1302\" data-end=\"1557\">This has sparked frustration: for many, it\u2019s not just about Moliy missing a Grammy nod, it\u2019s a wider issue about how <strong data-start=\"1420\" data-end=\"1516\">Grammy rules may not always reflect how global genres and collaborative music are made today<\/strong>.<\/p>\n<p data-start=\"1559\" data-end=\"1766\">Moliy\u2019s team and supporters argue that the decision undermines the song\u2019s cultural impact, calling for more flexible and inclusive submission guidelines in the future.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Moliy\u2019s global hit \u201cShake It to the Max (Fly)\u201d especially the remix featuring Shenseea and Skillibeng\u00a0was ruled ineligible for the 2026 Grammys in both the Best Global Music Performance and Best African Music Performance categories. The Recording Academy\u2019s explanation: the version submitted was classed as a remix, and under Grammy rules, remixes are not eligible [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":689,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[],"ppma_author":[160],"class_list":["post-688","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","author-urbanafrica"],"authors":[{"term_id":160,"user_id":2,"is_guest":0,"slug":"urbanafrica","display_name":"URBANAFRICA","avatar_url":{"url":"https:\/\/africahalloffame.org\/Home\/wp-content\/uploads\/2026\/02\/cropped-FFB50F59-0D6C-491C-BACA-64123F72D056.jpg","url2x":"https:\/\/africahalloffame.org\/Home\/wp-content\/uploads\/2026\/02\/cropped-FFB50F59-0D6C-491C-BACA-64123F72D056.jpg"},"0":null,"1":"","2":"","3":"","4":"","5":"","6":"","7":"","8":""}],"_links":{"self":[{"href":"https:\/\/africahalloffame.org\/Home\/wp-json\/wp\/v2\/posts\/688","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/africahalloffame.org\/Home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/africahalloffame.org\/Home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/africahalloffame.org\/Home\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/africahalloffame.org\/Home\/wp-json\/wp\/v2\/comments?post=688"}],"version-history":[{"count":1,"href":"https:\/\/africahalloffame.org\/Home\/wp-json\/wp\/v2\/posts\/688\/revisions"}],"predecessor-version":[{"id":690,"href":"https:\/\/africahalloffame.org\/Home\/wp-json\/wp\/v2\/posts\/688\/revisions\/690"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/africahalloffame.org\/Home\/wp-json\/wp\/v2\/media\/689"}],"wp:attachment":[{"href":"https:\/\/africahalloffame.org\/Home\/wp-json\/wp\/v2\/media?parent=688"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/africahalloffame.org\/Home\/wp-json\/wp\/v2\/categories?post=688"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/africahalloffame.org\/Home\/wp-json\/wp\/v2\/tags?post=688"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/africahalloffame.org\/Home\/wp-json\/wp\/v2\/ppma_author?post=688"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}