{"id":2963,"date":"2026-04-29T06:36:22","date_gmt":"2026-04-29T06:36:22","guid":{"rendered":"https:\/\/africahalloffame.org\/Home\/?p=2963"},"modified":"2026-04-29T06:36:22","modified_gmt":"2026-04-29T06:36:22","slug":"asake-unveils-mney-tracklist-featuring-dj-snake-tiakola-kabza-de-small","status":"publish","type":"post","link":"https:\/\/africahalloffame.org\/Home\/asake-unveils-mney-tracklist-featuring-dj-snake-tiakola-kabza-de-small\/","title":{"rendered":"Asake Unveils M$NEY Tracklist Featuring DJ Snake, Tiakola &amp; Kabza De Small"},"content":{"rendered":"<p>Asake is stepping into his next era with full clarity and a globally positioned sound.<\/p>\n<p>The Afrobeats star has officially unveiled the tracklist for his upcoming album M$NEY, confirming a lineup that blends local dominance with international reach.<\/p>\n<p>Set for release on May 1, the project will feature 13 tracks, including already released singles and high-profile collaborations. <span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>The Key Features<\/p>\n<p>The tracklist confirms appearances from:<\/p>\n<ul>\n<li>DJ Snake \u2013 on \u201cWorship\u201d<\/li>\n<li>Tiakola \u2013 on \u201cBadman Gangsta\u201d<\/li>\n<li>Kabza De Small \u2013 contributing to the album\u2019s sonic direction<\/li>\n<\/ul>\n<p>These names aren\u2019t random.<\/p>\n<p>They represent three different markets:<\/p>\n<ul>\n<li>Global electronic (DJ Snake)<\/li>\n<li>European rap (Tiakola)<\/li>\n<li>Amapiano dominance (Kabza De Small)<\/li>\n<\/ul>\n<p>The rollout has already introduced three key records:<\/p>\n<ul>\n<li>\u201cWhy Love\u201d<\/li>\n<li>\u201cWorship\u201d (feat. DJ Snake)<\/li>\n<li>\u201cBadman Gangsta\u201d (feat. Tiakola) <span class=\"Apple-converted-space\">\u00a0<\/span><\/li>\n<\/ul>\n<p>Each track hints at a broader direction:<\/p>\n<p>Less strictly amapiano.<br \/>\nMore global fusion.<br \/>\nStill rooted in Asake\u2019s signature Fuji-infused delivery.<\/p>\n<p>What stands out isn\u2019t just the features, it\u2019s the intent.<\/p>\n<p>Asake isn\u2019t stacking names for hype.<\/p>\n<p>He\u2019s building a multi-market album:<\/p>\n<ul>\n<li>Lagos \u2192 core identity<\/li>\n<li>Paris \u2192 crossover rap audience<\/li>\n<li>Global dance \u2192 festival reach<\/li>\n<li>South Africa \u2192 rhythmic evolution<\/li>\n<\/ul>\n<p>It\u2019s Afrobeats but expanded.<\/p>\n<p>M$NEY comes at a crucial point in Asake\u2019s career.<\/p>\n<p>After three back-to-back successful albums, the question isn\u2019t whether he can make hits, it\u2019s whether he can scale his sound globally without losing identity.<\/p>\n<p>This tracklist suggests he\u2019s not choosing one over the other. He\u2019s doing both.<\/p>\n<p>13 tracks.<\/p>\n<p>Multiple continents.<br \/>\nOne clear direction.<\/p>\n<p>With M$NEY, Asake isn\u2019t just dropping another album, He\u2019s positioning himself as a global Afrobeats force operating on his own terms.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Asake is stepping into his next era with full clarity and a globally positioned sound. The Afrobeats star has officially unveiled the tracklist for his upcoming album M$NEY, confirming a lineup that blends local dominance with international reach. Set for release on May 1, the project will feature 13 tracks, including already released singles and [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2964,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"ppma_author":[160],"class_list":["post-2963","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","author-urbanafrica"],"authors":[{"term_id":160,"user_id":2,"is_guest":0,"slug":"urbanafrica","display_name":"URBANAFRICA","avatar_url":{"url":"https:\/\/africahalloffame.org\/Home\/wp-content\/uploads\/2026\/02\/cropped-FFB50F59-0D6C-491C-BACA-64123F72D056.jpg","url2x":"https:\/\/africahalloffame.org\/Home\/wp-content\/uploads\/2026\/02\/cropped-FFB50F59-0D6C-491C-BACA-64123F72D056.jpg"},"0":null,"1":"","2":"","3":"","4":"","5":"","6":"","7":"","8":""}],"_links":{"self":[{"href":"https:\/\/africahalloffame.org\/Home\/wp-json\/wp\/v2\/posts\/2963","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/africahalloffame.org\/Home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/africahalloffame.org\/Home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/africahalloffame.org\/Home\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/africahalloffame.org\/Home\/wp-json\/wp\/v2\/comments?post=2963"}],"version-history":[{"count":2,"href":"https:\/\/africahalloffame.org\/Home\/wp-json\/wp\/v2\/posts\/2963\/revisions"}],"predecessor-version":[{"id":2966,"href":"https:\/\/africahalloffame.org\/Home\/wp-json\/wp\/v2\/posts\/2963\/revisions\/2966"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/africahalloffame.org\/Home\/wp-json\/wp\/v2\/media\/2964"}],"wp:attachment":[{"href":"https:\/\/africahalloffame.org\/Home\/wp-json\/wp\/v2\/media?parent=2963"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/africahalloffame.org\/Home\/wp-json\/wp\/v2\/categories?post=2963"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/africahalloffame.org\/Home\/wp-json\/wp\/v2\/tags?post=2963"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/africahalloffame.org\/Home\/wp-json\/wp\/v2\/ppma_author?post=2963"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}