{"id":2718,"date":"2026-04-05T05:39:25","date_gmt":"2026-04-05T05:39:25","guid":{"rendered":"https:\/\/africahalloffame.org\/Home\/?p=2718"},"modified":"2026-04-05T05:39:25","modified_gmt":"2026-04-05T05:39:25","slug":"cardi-b-scores-major-legal-win-as-50m-enough-miami-lawsuit-is-dismissed","status":"publish","type":"post","link":"https:\/\/africahalloffame.org\/Home\/cardi-b-scores-major-legal-win-as-50m-enough-miami-lawsuit-is-dismissed\/","title":{"rendered":"Cardi B Scores Major Legal Win as $50M \u201cEnough (Miami)\u201d Lawsuit Is Dismissed"},"content":{"rendered":"<p>Cardi B has secured another courtroom victory this time in a high-stakes copyright battle tied to one of her biggest recent records.<\/p>\n<p>A U.S. federal judge has dismissed the $50 million copyright infringement lawsuit filed against the rapper over her 2024 single Enough (Miami), bringing an end at least for now to a case that had been building for nearly two years.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>The lawsuit, originally filed in 2024 by producers Joshua Fraustro and Miguel Aguilar, alleged that Cardi\u2019s track copied elements from their earlier song Greasy Frybread.<span class=\"Apple-converted-space\">\u00a0 <\/span>But the court didn\u2019t even get to fully test that claim on its merits.<\/p>\n<p>Instead, the case was dismissed on procedural and legal grounds. The judge pointed to key issues most notably that the plaintiffs did not have a valid copyright registration when they initially filed the lawsuit, a requirement for pursuing such claims in court.<span class=\"Apple-converted-space\">\u00a0 <\/span>The court also rejected attempts to amend the complaint, calling further changes \u201cfutile.\u201d<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>That distinction matters.<\/p>\n<p>Because the dismissal was \u201cwithout prejudice,\u201d meaning the plaintiffs could still attempt to refile the case in another jurisdiction or under corrected legal conditions.<span class=\"Apple-converted-space\">\u00a0 <\/span>So while Cardi B walks away with a clear win, the door isn\u2019t completely shut on the dispute.<\/p>\n<p>Still, the impact is immediate.<\/p>\n<p>For Cardi B, it\u2019s another reinforcement of her legal standing and creative independence especially around a track that performed strongly commercially and marked her return to solo dominance on the charts.<span class=\"Apple-converted-space\">\u00a0 <\/span>For the industry, it highlights something deeper: the growing importance of copyright timing, registration, and legal precision in an era where disputes over sound, sampling, and influence are becoming more frequent.<\/p>\n<p>It also fits into a broader pattern.<\/p>\n<p>This is one of several recent legal victories for Cardi B, signaling a shift in how aggressively artists and their teams are defending both their work and their reputation in court.<\/p>\n<p>Zoom out, and the story isn\u2019t just about one case being dismissed.<\/p>\n<p>It\u2019s about the modern music business, where creativity moves fast but the law still demands structure. Miss a step, and even a $50 million claim can fall apart before it truly begins.<\/p>\n<p>For now, Enough (Miami) stands where it started:<\/p>\n<p>Untouched in court.<\/p>\n<p>And still very much Cardi B\u2019s record.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cardi B has secured another courtroom victory this time in a high-stakes copyright battle tied to one of her biggest recent records. A U.S. federal judge has dismissed the $50 million copyright infringement lawsuit filed against the rapper over her 2024 single Enough (Miami), bringing an end at least for now to a case that [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2719,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[],"ppma_author":[160],"class_list":["post-2718","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","author-urbanafrica"],"authors":[{"term_id":160,"user_id":2,"is_guest":0,"slug":"urbanafrica","display_name":"URBANAFRICA","avatar_url":{"url":"https:\/\/africahalloffame.org\/Home\/wp-content\/uploads\/2026\/02\/cropped-FFB50F59-0D6C-491C-BACA-64123F72D056.jpg","url2x":"https:\/\/africahalloffame.org\/Home\/wp-content\/uploads\/2026\/02\/cropped-FFB50F59-0D6C-491C-BACA-64123F72D056.jpg"},"0":null,"1":"","2":"","3":"","4":"","5":"","6":"","7":"","8":""}],"_links":{"self":[{"href":"https:\/\/africahalloffame.org\/Home\/wp-json\/wp\/v2\/posts\/2718","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/africahalloffame.org\/Home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/africahalloffame.org\/Home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/africahalloffame.org\/Home\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/africahalloffame.org\/Home\/wp-json\/wp\/v2\/comments?post=2718"}],"version-history":[{"count":1,"href":"https:\/\/africahalloffame.org\/Home\/wp-json\/wp\/v2\/posts\/2718\/revisions"}],"predecessor-version":[{"id":2720,"href":"https:\/\/africahalloffame.org\/Home\/wp-json\/wp\/v2\/posts\/2718\/revisions\/2720"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/africahalloffame.org\/Home\/wp-json\/wp\/v2\/media\/2719"}],"wp:attachment":[{"href":"https:\/\/africahalloffame.org\/Home\/wp-json\/wp\/v2\/media?parent=2718"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/africahalloffame.org\/Home\/wp-json\/wp\/v2\/categories?post=2718"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/africahalloffame.org\/Home\/wp-json\/wp\/v2\/tags?post=2718"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/africahalloffame.org\/Home\/wp-json\/wp\/v2\/ppma_author?post=2718"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}